5
0
George: Uh, I’m sorry to bother you, I was in the restaurant earlier and I was wondering if I could talk to you for a few minutes about what happened. (He gestures for them to come in. They obey) I hope I’m not interrupting anything. It’s just that I think I may have - without realizing it - been responsible for getting you fired. (Nervously laughs) And.. and.. and I just want you to know that I didn’t intend for that to happen.
Kramer: He’s a great of a guy.
George: This is a guy I know.. Kramer.
Kramer: Habla Espanol? George: (To himself) Oh my God. Antnio: Si.
Kramer: Como se dice.. waterbed?
George: Anyway, I just wanted to let you know I’m really sorry that happened, and if I can help out in any way, I’ll certainly be glad to do that.
5
i opened my ask box and stared at these images fully entranced mouth agape. this is making me nauseous what are you doing to him i think whatever it is he deserves it. thank you for your service
0
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0
dragging jerry seinfeld kicking and screaming into silent hill to watch fleshy, writhing manifestations of his sins and trauma torment him, anyone wanna come?
0
Being a producer with no irls that are in the scene makes you feel like you live in seinfeld.
0
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4
Saw trap: he wakes up with a full head of hair, but must cut it all off & sew it into a tiny sweater
2
Do you think George Costanza could handle making posts for @thegeorgecostanzalinepolls for a month?
Yes
No
See Results5
idk who this will reach but I need to say that this scene is stupid. I know that wasn’t the phone guy. Guy brought nothing with him, not in a uniform and why would you stand this close to the phone guy. Get out.
Also I don’t care realistically, Kramer isn’t limiting himself to only women.
1
Doctor: Now we’ll open the peritoneal cavity, exposing the body’s internal
organs. Nurse– retractor.
% I still don’t trust that retractor. Anyway, Kramer gets a box of candy
% out and starts to munch…
Jerry: What are you eating?
Kramer: Junior Mints. Do you want one?
Jerry: No…
Kramer: I can’t see… Psst….
% Kramer motions to a nurse to get out of the way so he can see. Say what
% you want about the Loathsome brute, but the man has tact.
Jerry: Where’d you get those?
Kramer: The machine. You want one? Here, take one.
Jerry: I don’t want any!
Kramer: No, they’re good!
Jerry: I don’t want any!
Kramer: Just take one.
Jerr: Did it go in?
0
He has to correctly spell "misspell" on the first try with no spellcheck or dictionary
Can George Costanza spell “misspell” correctly without checking first?
Yes (goes free)
No (gun)
See Results0
Seinfeld 1x02: “The Stake Out” — Un replanteo, videoclubs y el origen de Art Vandelay
El segundo episodio de la primera temporada de Seinfeld, emitido el 31 de mayo de 1990 y escrito por Larry David y Jerry Seinfeld, marca hitos fundamentales para la dinámica del grupo. A través de la excusa de un “replanteo” (o “vigilancia”) en el edificio donde trabaja Vanessa (Lynn Clark), el guion despliega los primeros trazos de la mitología de la serie.
Curiosidades y detalles de este capítulo:
- El origen de Art Vandelay: George intenta inventar un seudónimo. Tras barajar opciones como Burt Harbinson o Art Core, surge por primera vez el célebre “Art Vandelay”. La mención de Loni Anderson en la escena previa bien pudo haber inspirado inconscientemente el nombre Burt.
- El dilema de la chaqueta: En la fiesta, Jerry rechaza quitarse el saco argumentando frío. En la etiqueta tradicional, quedarse en “mangas de camisa” se consideraba en el siglo XIX el equivalente a estar en ropa interior, dada la evolución de la prenda desde la sastrería británica.
- Referencias al episodio piloto: La conversación fortuita en el videoclub (“Cuando estás muerta, estás muerta”) conecta de forma especular con el diálogo de la lavandería en The Seinfeld Chronicles sobre “sobresecar” y la muerte.
- Geografía social: La frase de Jerry asociando Wall Street con “Gente de Connecticut” responde a que dicho estado (y en especial la ciudad de Hartford) es uno de los mayores polos financieros y del sector de seguros del mundo.
- La bouillabaisse de Kramer: Mencionada al pasar cuando Jerry planea dormir en su departamento, esta sopa tradicional provenzal (con raíces compartidas con la cocina catalana) añade ese toque absurdo a las costumbres culinarias de Kramer.
1
I did watch the episode of Seinfeld where George made Susan a lesbian yesterday, so that’s how I celebrated actually !
0
my fancast of Seinfeld in Peter and the Wolf:
Jerry as Peter: he’s framed as the hero but is actually kind of an idiot
Elaine as The Bird: she’s stuck up and self-absorbed, but sometimes with good reason
George as The Duck: neurotic. would get eaten
Kramer as The Cat: thinks he’s awesome. is actually just insane and stupid
Newman as The Wolf: obviously.
2
The entirety of Willy Wonka’s Chocolate Factory
How far is George getting through Willy Wonka’s chocolate factory from Willy Wonka and the Chocolate factory (1971)?
100% it
The TV room will get him
He’d die in the Wonkamobile
He’d be classed as a bad egg and fall into furnace
He stole fizzy lifting drinks and got shredded by the fans
Somebody’s getting blueberry’d
The tunnel will get him
He’ll drop into the chocolate river
See Results2
there’s an episode of seinfeld i have never seen before which i am seeing now in which elaine finds out the guy she’s dating is a communist
0
Las crónicas de Seinfeld: Análisis del episodio piloto (001) El inicio de Seinfeld (“The Seinfeld Chronicles” / “Good News, Bad News”) no solo fue el punto de partida de una comedia legendaria, sino un experimento narrativo que superó dudas de ejecutivos, críticas iniciales y reestructuraciones (como la ausencia de Elaine en este capítulo o la sustitución de la camarera Claire). 1. El trasfondo sociocultural e ironía: En el monólogo intercalado, Jerry reflexiona sobre los anuncios de detergente que quitan manchas de sangre, cuestionando las prioridades de la sociedad frente a la violencia. Si conectamos esto con la mención de Laura estudiando Ciencias Políticas, y las intervenciones de Kramer sobre persuadir y ser abogado, se traza un hilo sutil: Ciencias Políticas – Medios – Violencia – Leyes. Un reflejo social brillante del contexto de Nueva York a finales de los 80, en pleno auge de la crisis de seguridad previa a la era Giuliani. 2. Detalles del piloto y curiosidades: Gags de inicio: La icónica discusión sobre el primer botón de la camisa y el debate sobre el café descafeinado (una particularidad cultural estadounidense muy marcada para la época).El perro de Kramer: La rutina canina con la mascota “Kessler” fue descartada para el resto de la serie para evitar complicaciones de producción.Reflexión sobre el rodaje: Destaca una frase de George en los comentarios del DVD: “Me perdono cualquier cosa que hago en rodaje porque mi pequeño lema personal es: En ese momento, siendo yo y sabiendo lo que sabía, era lo mejor”. Un episodio histórico que, pese a los escollos, sentó las bases de la comedia moderna.
0
Seinfeld: de comedia “sobre nada” a clásico de la televisión (y objeto de estudio)
¿Qué es Seinfeld? Es un apellido, una persona y el nombre de una de las sitcoms más influyentes en la historia de la televisión. Emitida originalmente entre 1989 y 1998 a lo largo de 9 temporadas y 172 episodios, la serie trascendió su época para convertirse en un fenómeno de culto que sigue plenamente vigente.
Mi llegada a ella fue casi casual: haciendo zapping, escuché en una entrevista a la comediante argentina Anita Martínez señalar a Seinfeld como la mejor serie de comedia que había visto. Días después me crucé con un episodio, recordé su recomendación y le di una oportunidad. Desde aquel día la he visto completa más de una vez; cada capítulo no solo divierte, sino que deja observaciones agudas sobre la cotidianeidad.
Una comedia de situación con lógica propia Creada por Jerry Seinfeld y Larry David, la serie toma el nombre de su protagonista —un comediante de stand-up interpretado por el propio Seinfeld—. La premisa se definió famosamente dentro del show como “un programa sobre nada”, pero lejos de ser vulgar o vacía, la trama utiliza el humor y la cotidianeidad para desplegar guiones milimétricos, llenos de ironía, sarcasmo y una observación implacable.
A diferencia de la sitcom clásica orientada al “abrazo y aprendizaje”, Seinfeld inauguró la era del “no hugging, no learning”. Cuatro amigos de rasgos marcados (un obsesivo, un excéntrico, un neurótico) movidos por un pragmatismo casi cínico y un egoísmo sin complejos.
Un impacto que trascendió la pantalla El reconocimiento de la crítica y la industria no fue menor: acumuló múltiples premios Emmy, Globos de Oro, SAG y un récord Guinness muy particular (cuando Jerry rechazo una oferta de 5 millones de dólares por episodio para continuarla). Publicaciones como TV Guide, Entertainment Weekly y el Writers Guild of America la han situado sistemáticamente entre las mejores y mejor escritas series de todos los tiempos.
Pero lo más interesante es cómo la serie se transformó en un objeto de análisis académico y cultural en libros y ensayos:
- Economía: Avinash Dixit analizó el capítulo “The Sponge” para explicar el concepto de “valor de opción” en análisis de costes y beneficios.
- Filosofía: Antologías como Seinfeld y Filosofía estudian el show desde la perspectiva aristotélica, el existencialismo sartreano o la ética socrática.
- Lingüística y Humor: Estudios sobre la Teoría de la Incongruencia utilizan capítulos como “The Marine Biologist” o “The Red Dot” para diseccionar la ruptura de expectativas en el discurso.
- Televisión y Sociología: Textos sobre guion y teoría cultural destacan su carácter autorreferencial, el quiebre de las fórmulas tradicionales del género y hasta la famosa regla de disciplina creativa del comediante: “no romper la cadena” en el calendario.
Seinfeld demostró que partiendo de la observación microscópica de lo cotidiano, la comedia puede convertirse en una obra perdurable.
1
Seinfeld has a key in his brain and Costanza’s gotta get in there to open the next door
3
He has to set up an original game of Mouse Trap and make the whole mechanism work in one go. Or he dies & stuff
2
i got a bit tired of seinfeld like a year ago, but now i’m back on it and it’s turning into a comfort show :D
but what i think is amazing is that the show’s full of people who look like people. basically everyone could just be some random person from the streets. and the show has a huge cast – almost every episode has a couple new characters who are gone in the next episode, but it also means that we see so many people and they look just like regular people.
i know everyone’s surprised that jason alexander was 29 in the pilot and already balding, but. some people do that. and looking at modern series and movies where everyone has beautiful hair in every single age category is… jarring.
0
Elaine: What is it…A drawing of Mr. Magoo?
Jerry: No, it’s George
Elaine: It is…
George: You enjoying yourself?
Elaine: Sorry. George: You see. You see! Listen, when is your next drawing class?
Elaine: Tomorrow.
George: All right, I want you to do me a favor.
Elaine: What?
George: I want you to find out if she likes me.
Elaine: Find out if likes you?. What, are you in High School?… George come on can’t you just talk to her yourself?
George: But she’s gonna know that I like her more than she likes me. Jerry: You know my parents are coming in, and I’ve got some cleanup to do. If you and Potsie are done scheming, could you guys wrap up?
4
kramer would be so good at nonmonogamy hed get rlly into it and read polysecure and the ethical slut and tell george that hes being held back by “these toxic expectations of hierarchical romance” so george tries it and still cant get a date meanwhile jerry is seething about how “its weird! its just not right! who does he think he is, joseph smith?” and elaine goes i dunno jerry i dated two people once and jerry interrupts her to go ITS LIKE I DONT KNOW YOU PEOPLE ANYMORE
0
De Seinfeld a la realidad: cuando la escasez supera a la ficción
En 2015, los titulares en Argentina reportaban un mismo problema desde distintas miradas: la falta de tampones debido a las restricciones y trabas a las importaciones. Lo que en notas periodísticas se leía como una crisis de insumos básicos y de salud femenina, a muchos nos trajo un recuerdo inevitable de la televisión noventosa.
En el episodio 119 de Seinfeld (The Sponge, 1995), Elaine recorre farmacias desesperada buscando las últimas esponjas anticonceptivas del mercado. Al conseguir la última caja, decide racionarlas evaluando si sus parejas son “dignas” de que pague el costo de gastar una.
Lo que en su momento fue un clásico gag de comedia sobre el valor de opción y el desabastecimiento, terminó convirtiéndose en un reflejo trágico de la cotidianeidad cuando políticas estatales terminan afectando el acceso a productos elementales de uso diario.
3
okay mr. cosmo fucking kramer you can pretend all you want but i know that kiss was YEARS in the making. STOP DENYING IT I KNOW YOU GO TO GAY BARS YOU BI ASS BITCH
also george’s reaction takes me out.
leave him alone he’s deciding whether to jump in front of the A train or ask to join
0
George: Ha, ha, ha, ha! Come on! Jump!
Man: They just put out some more donuts.
George: They did?
Man: Last one.
0
💖🖋️Love Note Day📜💘
Today is for handwriting notes expressing love and affection, in all its forms, for the special people in our lives.
0
woke up this morning with clean, non-bloodied hands and no headlines proclaiming jerry seinfeld dead #fuckmypulplife
1
I want a show like Seinfeld or Friends but it’s just a bunch of transfems in a polycule
0
September 23, 1993
On this day in pop culture history…
Jerry Seinfeld reluctantly introduces piratecore to the world by wearing a hideously puffy shirt on national television. He basically looks like a character on the cover of an airport novel.
See more at https://popculturepundit.com/.
Season 5, Episode 2 “The Puffy Shirt”
2
An escalator that stopped while he’s halfway up/down
(I assume he wouldn’t move on principle)
The George Constanza line asks the most important question of anyone fictional or otherwise: can they win in a fight with George Costanza? The answers may shock you.
Can an escalator that has stopped with George midway up cross the Costanza line?
Yes
No (what?)
See Results
1
PULP MENTION PULP MENTION PULP MENTION!! PULP CAN INDEED MOVE, BABY!! IT’S GONNA BE ROLLING DOWN THE SIDEWALK 🥩🧃
0
A chain email
“Are you kidding me? Who would fall for this!? This is the rankest, stupidest and unbelieveable crap I have ever read on this computer. I need to punch the stupid out of my computer just to get rid of it. Or send it to George. I will send it to George then punch my computer. I need to upgrade anyway; this computer is older than the director of The Backrooms.”
…The George Constanza line asks the most important question of anyone fictional or otherwise: can they win in a fight with George Costanza? The answers may shock you.
4
what's the most quoted line on seinfeld? im on season 7 and im not near the fandom spaces
is that like… a pub quiz question? 😭
I don’t think there are any seinfeld fandom spaces (thankfully). if there are, I have yet to come across them but I think it’s mainly like 5 people posting gifs/text posts…
as to your question, I haven’t got a clue, sorry :/. maybe “not that there’s anything wrong with that”? if any of my mutuals want to jump in, be my guest!
0
the contest episode of seinfeld should’ve ended with kramer hooking up with john f kennedy junior send post
2
“12,000 BTU’s of raw cooling power”
That’s never beating this natural open air cool late summer evening air
0
Jerry: Anyway, I hope there’s no hard feelings.
Bookman: Hard feelings? What do you know about hard feelings? Y'ever have a man die in your arms? Y'ever kill somebody?
Jerry: What is your problem?
Bookman What’s my problem? Punks like you, that’s my problem. And you better not screw up again Seinfeld, because if you do, I’ll be all over you like a pitbull on a poodle.
Jerry: That is one tough monkey!
2
That’s where you’re wrong Elaine. The Beatles would never spilt up, not in any universe…
5
surely this and watching some seinfeld is good and fine and won’t cause me tooooo idk buy a goddamn plane ticket 🙂↔️👊
0
A fortune from a fortune cookie that he doesn’t want to have happen to him
The George Constanza line asks the most important question of anyone fictional or otherwise: can they win in a fight with George Costanza? The answers may shock you.
1
Wageorge (ala Wario & Waluigi)
The George Constanza line asks the most important question of anyone fictional or otherwise: can they win in a fight with George Costanza? The answers may shock you.
5
Despite them not being the kind of comedy shows where crossovers happened, I’m surprised Seinfeld and Friends didn’t have a crossover. I’d love to see them deal with each other.
